Tuesday, 3 September 2013

On Film Music

How can it clarify and best explain
With eloquence superior to speech,
So much we only partly understand?
If it were absent, what would then remain:
The actors looks, and smiles, eyes that beseech,
And words which either question or command?
But looks can be deceiving, words contain
A double meaning, obscure, out of reach,
And so we need an aid, a guiding hand.
Thus music speaks and helps us to retain
A comprehension of the nature each
Character possesses.  So the band
Plays on and gradually we  come to gain
A nuanced knowledge; music can impeach
And then acquit, ask politely or demand,
With leitmotif or riff or sad refrain,
And by manipulation it can teach,
Inform us of a fresh, surprising strand
Of complication in the plot, a train
Of thought quite new, then stabbing sound or screech
Of saxophone might show us how, as planned,
We've been lead falsely and again
Have been deceived.

Or music can, like bleach,
Remove the darkness from a plot, turn bland
Then just as we begin to  feel relief,
Provide a final, deeper, blacker stain.

Monday, 2 September 2013

The Pink Grey

The pink grey
At the break of the day
Is like light shining through clay.
It seeps into me
In a strange way,
As my thoughts stray
From dreaming
To seeming
Then pink grey
Loses opacity
As my mind
Regains its capacity
For thinking of things to say,
And the light's play
As the dawn unfolds
Brings real clarity.
And as pink grey
Becomes blues and gold,
I long for a child's charity,
Which would present to me,
Without being told,
My breakfast, on a tray.

Sunday, 1 September 2013

Alex Plays The Accompaniment to Faure's Cantique de Jean Racine

An undulation of triplets floats outside
Into this warm September air,
Joining the pigeons as they glide
On currents, beneath cirrus,
Fine as angels hair,
And even the dog is lulled to sleep
Basking on the flags, drying his fur,
And I swing in the hammock wide and deep,
Keeping time 'til all becomes a blur.