Much like a
church,
Of golden
sandstone,
First a wide
and gentle arch,
Reeded,
moulded, grooved, supported
By a pair of
capitols,
Which make a
pair of shelves.
A sandstone
threshold
Made for tripping,
Then the
flagged floor, sloping, dipping,
To the
massive pegged front door,
And to the
right a slab to lie on,
Table height
or thereabouts,
To stay
quite still, so I could spy on
Swallows
flitting in and out.
And up above
the beams and joists
In oak and
deal, faded grey,
And then,
without, the summer sky,
The long
flagged path and drystone wall,
The sagging
gate, the summer day.
And tangled
Duke of Argylls Tea Plant
Growing all
the crusty way,
Sending
arching branches over,
With narrow willow
leaves,
and pretty
flowers small and purple,
Loved by
endless honey bees.
The
crustiness was silver lichen,
Growing in
its patchy clusters,
Rough and
hard and unforgiving.
And then
there was the bell,
A teal
colour, Verdigris, or maybe paint.
It hung
where it was meant for ringing,
With a pull
of linked, wrought iron,
Rusted to a
deep, dark brown.
Though
people pulled we seldom heard them,
Though its
voice was aught but faint.
On the left
the strange and best bit,
A smooth and
well worn, low down shelf,
Hollowed out
in several places,
Little ponds
for paying wages,
Like
inverted swallows nests.
These were
perhaps the ancient plague stones,
Conversation
points for guests,
Standing
looking round and waiting
Hoping we
would hear their ringing,
Push the
two-foot- thick, black bolt back,
Into its
deep hiding space,
And pull the
door back, sunlight flooding
Into the
dark corridor.
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